Even then, he covered only Maadhavan and Surya's stories in the first even with fast-paced screenplay. In many scenes, MR skipped many scenes which were unnecessary for MR Fans, but somewhat necessary for common people. I dont think, it could have been captured in the first half itself. In India, November is the rainy season.Īmong the flashback sequences of 3 heroes, Sidharth's comes in the 2nd half. It was started in 1st on Saturday, and the year was 2003. But, while showing Maadhavan in one scene, there was a monthly calender in the wall. ie: Why its raining? It was some time in December. But, MR used it also to show the love affair of Maadhvan and Meera Jasmine. Even in that song also, the only thing you could realise that ''Yeah. The only song which you realise in this film is ''Sandai Kozhi''. Here in this film, it was the case for all song sequences. (as usual in MR films)Ī song is mingled with the screenplay only if you cant locate the time of the song when it comes, after seeing the movie. No unncessary song sequences, no unncessary choreography, no unncessary dialogues, no unncessary cryings, bla bla. Then, fully a fast-paced screenplay throughout the film. Here, in the fifth minute MR makes us to sit right in the chair. The success of a well written screenplay starts at the fifth minute of a movie. If it was the story of 2 or 3 heroes then it went to the first then came back to the 2nd then to the 1st or 3rd. Anyhow, here, its a different type of screenplay to the Tamil Cinema. He(MR) himself committed tat, the screenplay had the shadows of Roshoman (I didnt see Roshoman, but heard about that). The innovative screenplay agian proves MR. There is half-an-hour climax as usual in MR film. There is a scene in which the Hero and heroine see themselves in a mirror as usual in MR film. There is Train Sequence as usual in MR film. Wow.what a film man!! I am not going to reveal the story.
0 kommentar(er)
